Music Perception : An interdisciplinary journal

Dedicated to Helmholtz -- Helmholtz and His Continuing Influence (pp. 253-275) -- Richard M. Warren -- The Concept of Musical Consonance: A Link between Music and Psychoacoustics (pp. 276-295) -- Ernst Terhardt -- Pitch Salience of Various Complex Sounds (pp. 296-307) -- Adrianus J. M. Houtsma -- Theory of Helmholtz-Beat Frequencies (pp. 308-322) -- Rudolf A. Rasch -- Some Effects of Inharmonic Partials on Interval Perception (pp. 323-349) -- Elizabeth A. Cohen -- Notes & Comment -- The Search for a Survival Value of Music (pp. 350-356) -- Juan G. Roederer -- Hierarchical Structure in Music -- Contents -- Some Major Theoretical Problems Concerning the Concept of Hierarchy in the Analysis of Tonal Music -- Eugene Narmour -- On Some Properties of Schenker´s Pitch Derivations -- Allan Keiler -- An overview of Hierarchival Structure -- Fred Lerdahl & Ray Jackendoff -- Table of Contents -- Vol. 32 No. 4, April 2015 -- Restricted access -- Music and People with Tendencies to Depression -- Sandra Garrido, Emery Schubert -- (pp. 313-321) DOI: 10.1525/mp.2015.32.4.313 -- Restricted access -- Experiments on the Relationship between Perde and Seyir in Turkish Makam Music -- Can Akkoç, William A. Sethares, M. Kemal Karaosmanoğlu -- (pp. 322-343) DOI: 10.1525/mp.2015.32.4.322 -- Restricted access -- The Effects of Absolute Pitch and Tone Language on Pitch Processing and Encoding in Musicians -- Stefanie A. Hutka, Claude Alain -- (pp. 344-354) DOI: 10.1525/mp.2015.32.4.344 -- Restricted access -- Low-Skip BiasThe Distribution of Skips Across the Pitch Ranges of Vocal and Instrumental Melodies is Vocally Constrained -- Paolo Ammirante, Frank A. Russo -- (pp. 355-363) DOI: 10.1525/mp.2015.32.4.355 -- Restricted access -- A Spectral Pitch Class Model of the Probe Tone Data and Scalic Tonality -- Andrew J. Milne, Robin Laney, David B. Sharp -- (pp. 364-393) DOI: 10.1525/mp.2015.32.4.364 -- Restricted access -- An Interlanguage Unification of Musical TimbreBridging Semantic, Perceptual, and Acoustic Dimensions -- Asterios Zacharakis, Konstantinos Pastiadis, Joshua D. Reiss -- (pp. 394-412) DOI: 10.1525/mp.2015.32.4.394 -- Restricted access -- PitchA Key Factor in Tonality Induction -- J. Fernando Anta -- (pp. 413-433) DOI: 10.1525/mp.2015.32.4.413 -- Restricted access -- A Tribute to David Wessel (1942-2014) Consulting Editor for Music Perception, 1983-2008 -- Stephen McAdams, Roger Reynolds -- (pp. 434-436) DOI: 10.1525/mp.2015.32.4.434 Contents -- Music Theory, Phenomenology, and Modes of Perception -- Lewin, David. -- Similarities among Transformed Melodies: The Abstraction of Invariants -- Edward C. Carterette, Donald V. Kohl & Mark A. Pitt. -- Musical Imagery -- Robert J. Weber & Suellen Brown -- Book Review -- The Musical Mind: The Cognitive Psychology of Music by John A. Sloboda -- David Buttler Contents -- A Carillon of Major- Third Bells Foreword -- John R. Pierce -- General Introduction -- Reinier Plomp -- I. Computation of Bell Profiles Using Structural Optimization -- A. Schoofs, F. Van Asperen, P. Maas, & A. Lehr -- II. A Perceptual Evaluation -- Adrianus J. M. Houtsma & Henricus J. G. M. Tholen -- III. From Theory of Practice -- André Lehr -- The Clustering of Temporal Elements in Melody -- William Hutchinson & Leon Knopoff -- Book Reviews -- Tone Deaf and All Thumbs by Frank R. Wilson -- H.J. Freund -- Microcomputers and Music by Gary Wittlich, John Schaffer, & Larry Babb -- Mark Dolson Contents -- Voice Denumerability in Polyphonic Music of Homogeneous Timbres -- David Huron -- Ascending and Descending Melodic Intervals: Statistical Findings and Their Perceptual Relevance -- Piet G. Vos & Jim M. Troost -- The Cognitive Reality of Hierarchic Structure in Music -- Mary Louise Serafine, Noah Glassman, & Cornell Overbeeke